“How do you know when something is funny?” This was Data’s question in this clip. You know, the endearing android on Star Trek the Next Generation who wants so much to be human, but whose precise programming and logic sequences make elusive his understanding of humor and emotions.
He asked the question to Geordi, you know, the Reading Rainbow guy. ”It’s not explainable, you just do,” was his reply.
So, how DO you know when something is funny? I’m not really sure how to explain it either, I just know when I do and I know it’s enjoyable. In describing myself for this blog’s profile, I wrote:
I laugh easily; even another’s attempt to be funny brings a smile to my face, I’m not hard to please.
I also delight in my own humor and I relish the moment when people laugh at my jokes.
Because of these tendencies, sometimes I’m the only one laughing, and it’s a hearty one at that, but that doesn’t bother me. Maybe individual personality has much to do with what we find funny.
In everyday life, I usually find dry humor the most appealing. This requires some degree of intelligence and ability to navigate nuance and irony with smooth delivery. I love when it comes out of left field where I have to be paying attention or I’ll miss it. It’s terribly entertaining.
On stage, I appreciate sketch comedy. BYU’s sketch comedy club is really talented, at least it was when I was there. It’s named “Divine Comedy” for its deliberate effort to be clean. Many of their sketches poke fun at BYU campus culture, so parts may fall flat on those unfamiliar with that unique environment, but it can still be overall really funny. An example of that is their “Sexy Back” pardoy, written and directed by Brian, one of the funniest of the crew. There’s also Matt who wrote one of my fav sketches, New Year’s Resolutions.
Satire is also brilliant. It requires talent and intelligence to portray something in a way that indirectly reveals a desired message. Mark Twain was a genius at this and both Jon Stewart and Stephen Colbert do this well in our time. I saw their satire in person at the “Rally to Restore Sanity” on the Mall in Washington, D.C..

Sometimes I laugh at something because it’s really, really funny, but I also feel like I shouldn’t be laughing, but hey, it’s really funny. A recent example of this was this xkcd web comic:

I rarely laugh at “comedy,” which is at the expense of others. I also don’t care much for its close cousin, awkward humor. Both these forms make me feel like I’m one of the popular kids in school garnering a laugh at the painful insecurity of the kid who lacks the social mobility to make it into the acceptance of the cool clique. In watching movies or shows portraying these, it usually inspires my compassion and I want to rescue them from the ridicule. As a result, I’m not laughing much.
Potty humor doesn’t do it for me either. If you knew me, this wouldn’t surprise you. I’m generally well mannered and because I spend much of my time reading material from the American past where refinement and courtesy were highly regarded, it makes our time’s general lack of manners disappointing.
And I wouldn’t find it funny to mock something that was special to someone else.
Related to this point, the last time I attended Church in Manhattan, our Relief Society lesson discussion (the third hour women’s Sunday School-ish class) went the direction of living in a way that didn’t hide our faith. It was a fascinating discussion as a visitor. Many of the “sisters” who were also young and single, talked about how difficult it was to maintain spirituality in “the city” because of the commercialism and because of hostility toward religion generally. One particularly likable sister told how at work, which happens to be as a writer for Jon Stewart’s The Daily Show, they almost ran a bit during the “war on Christmas” debate where baby Jesus would have come down the chimney to deliver presents instead of Santa Claus. She described more to the spoof, but I can’t recall. She shared the instance as an example where she had previously let it be known that she was a person of faith in Christ, so her coworker came to her with concern about the segment. It wasn’t because the coworker was religious, but because they knew this girl was. Ends up, they didn’t run it because others took issue about crossing the line of mocking something sacred to a large group of people.
See where I’m going with this?
Introducing The Book of Mormon–the Musical by South Park creators Trey Stone and Matt Parker. These writers use foul mouthed naive children as literary tools in their long running cartoon to reveal society’s hypocrisy and ridiculousness. They are especially skeptical of religion’s stupidity. They recently made huge waves with South Park’s 200th episode’s depiction of several world religious leaders, including the Muslim prophet Muhammad. Any graphic representation of this important figure is considered blasphemy in Islamic tradition. Viacom censored the episode, especially after a radical Islamic group made death threats to Stone and Parker. There was even a possible link between the Times Square terrorist attempt and this South Park episode.
This duo doesn’t back down when others take issue with the mockery of what is sacred to them.
Stone and Parker have frequently publicly spoken to their affection for Mormons. It’s clear that they’ve been acquainted with a few Mormons in how they wrote their 2003 episode “All About the Mormons?” The overall episode message is that Joseph Smith made up his whole story and it’s ridiculous that people believe it, but it makes for a good life and a happy family, so lay off.
Thanks, sort of.
I’ve been curious about their new project, The Book of Mormon–the Musical, which opened on Broadway this last week. They received Jon Stewart’s emphatic praise, which is a tremendous endorsement. I’d be interested in seeing how ticket sales spiked after that segment aired. In it, Stewart says:
“We’ve always had a bar here at Comedy Central that we’ve aimed at. This thing, the Book of Mormon is so good, it makes me [bleep] angry…you have somehow satirized religion with almost celebrating it, in a sweet, yet hard edge, I don’t know what to say.”
Wow, Jon, that’s high praise coming from the currently leading king of satire himself.
I’ve read that the show’s content includes, among other things:
- casual references to baby rape and AIDS
- a Book of Mormon excreted from a missionary’s rectum
- a Ugandan man complaining about ‘maggots in my scrotum’
- a ‘Hakuna Matata’- style song, which translates as ‘F— You, God
After reading these references, I was remorseful. People really think this stuff is funny? Enough to pay the cost of Broadway tickets? Plus, they nightly direct our society’s worse expletive to my Best Friend? Wow.
Then my fellow Mormon friend, David, reviewed it. He essentially says if you can get passed the expletives and the scatological humor, “it manages to be hilarious and spiritually touching at the same time…”
I also read this Mormon review of it, which had a similar sentiment, “The Book of Mormon (the musical) has a lower body count than the [actual Book of Mormon], but still is not for the squeamish, the tender-eared, or the easily offended…I can hardly wait for the original cast recording!”
Unbeknowst to the public, the Church of Jesus Christ of Latter-day Saints is a big tent; it isn’t monolithic. The views vary across the political spectrum, including a wide range of backgrounds. Because of these reviews, I’ve softened my sentiment a bit to the existence of this musical.
As I’ve explained, I pass on this humor category as a whole, so I won’t be watching it. As you would likely infer from the existence of this blog and its content, my spirituality is very special to me. This includes the belief that Christ has restored His Church in our time by again calling prophets and speaking by revelation. I wouldn’t choose to willingly listen to someone sing to our Creator and my Friend “F—you.” However, I WOULD like to see the satire of Mormons. I’d attend if it didn’t have the expletives, the gross bodily humor or the flippant references to African suffering. But I guess you can’t have it all, huh?
If David thinks it is spiritually touching and Jon Stewart thinks it almost celebrates religion, maybe it’s not so bad after all. Maybe even those who never think of spirituality are brought to consider their own views by attending the play, though I personally would have chosen a different catalyst for such reflection.
So, Trey and Matt, thanks again, sort of.

Update: It’s now April 3 and during conversation between general conference sessions, a friend of mine mentioned the Church’s official statement regarding “The Book of Mormon the Musical.” I found it here. It says the following:
In response to news media requests, The Church of Jesus Christ of Latter-day Saints has issued the following statement regarding the upcoming Broadway musical entitledThe Book of Mormon:
The production may attempt to entertain audiences for an evening, but the Book of Mormon as a volume of scripture will change people’s lives forever by bringing them closer to Christ.
To better understand the context of how the Church responds to situations like this, journalists and others may also want to read a popular article on Newsroom posted in March 2009 called “The Publicity Dilemma.”